Ta-Nehisi Coates hit the nail on the head when he said, “Comics are so often seen as the province of white geeky nerds. But, more broadly, comics are the literature of outcasts, of pariahs, of Jews, of gays, of blacks. It’s really no mistake that we saw ourselves in Doom, Magneto or Rogue.” Since their inception, comic books have been a place for fantasy, wish fulfillment and political commentary. Much like science fiction, a genre decades old by the time comic books became popular in the United States, comic books often reflected the fringes of American society. They told the stories of outcasts and aliens, people who didn’t step in time with the rest of humanity. It’s unsurprising that someone like William Moulton Marston, psychologist and creator of Wonder Woman, would find himself so drawn to the medium.
This phenomenal development of a national comics addiction puzzles professional educators and leaves the literary critics gasping. Comics scorn finesse, thereby incurring the wrath of linguistic adepts. They defy the limits of accepted fact and convention, thus amortizing to apoplexy the ossified arteries of routine thought. But by these very tokens the picture-story fantasy cuts loose the hampering debris of art and artifice and touches the tender spots of universal human desires and aspirations, hidden customarily beneath long accumulated protective coverings of indirection and disguise. Comics speak, without qualm or sophistication, to the innermost ears of the wishful self.”
Comic books have certainly changed over the years, and so has the Village, but their shared history continues to draw people for similar reasons. They have the ability to show us our fantasies and desires, reflecting them back to us for better or worse. Idealists, radicals, outcasts and sometimes just lonely kids looking for companionship – those are the people who still hold comic books closest, and comic book creators owe much of that to the influence of the Village.
Gaiman, Neil. Sandman: Preludes & Nocturnes. New York: DC Comics, 1991.
Chabon, Michael. The Amazing Adventures of Kavalier and Clay. New York: Random House Publishing, 2000.
Daniels, Les. Wonder Woman: The Life and Times of the Amazon Princess: The Complete Story. San Francisco: Titan Books, 2000.
Schwartz, Judith. Radical Feminists of Heterodoxy: Greenwich Village 1912-1940. Norwich, Vermont: New Victoria Publishers, 1986.